Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On December 5, 2024, a leading publication ran the front-page story “Insurance CEO Shot Dead In Manhattan”. The report went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was truly cold and shocking. But many Americans reacted differently: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”
Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the death penalty. So who is Mangione? And what might have motivated the accused offense? These are the issues John H Richardson seeks to resolve in an inquiry that explores broader themes, too.
The Making of a Subject
A writer for a major publication, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an end-times scenario”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his communications with online personalities and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, engraved on the ammunition left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He examines the evidence Mangione had a long-term spinal issue, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or eliminate humanity, or both.
Missing Pieces
Conspicuous by their absence from the book are conversations with the principal actors. Richardson made requests, but did not anticipate access to Mangione himself. And his family stated explicitly that they had decided against speaking to the press in prior to the trial. Another glaring gap is any significant information about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.
Ambiguous Findings
By the conclusion, the reader has no clear understanding of Mangione’s personality or what could have driven his accused actions. More troubling, Richardson’s apparent empathy for him creates the uncomfortable impression of having been exposed to a veiled endorsement of an assassination. In the book’s closing remarks, Richardson delivers his fairytale assessment: “We’ve entered a era of stories, the mad king, the monster in the maze and the emperor without clothes.” In that fable “Robin Hoods come with a beautiful promise … They arrive in times of social turmoil, when the people are suffering and everything is confusing anymore.”
One thing is clear: as Mangione’s legal representatives continues in its attempts have accusations that could lead to the death penalty thrown out, any reference of myths, folk heroes, heroes or villains will not be allowed in court in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.